Victoria Lambourn

Victoria is currently completing a PhD at The University of Melbourne, supervised by Prof. Jane Davidson and Dr Margaret Osborne. Her mixed-methods study is the first to investigate the relevance of absolute pitch for singers. Details of the study can be found at www.perfectpitchstudy.org

Lambourn, V. (2020). Insights into the benefits of specialist vocology training. Australian Voice, 21, 57–60. https://search.informit.org/doi/10.3316/informit.754914848686764

Lambourn, V. (2020, October 3). “Singing in the masque”: Pedagogical opinions on voice placement [Paper presentation]. The 2020 ANATS Conference, Online.

Lambourn, V. (2018). ANATS National Conference [Report]. Voice of ANATS, 3, 27-28.

Davidson, J. W., & Krause, A. E. (2022). Transactional Culture of the Portfolio Career Chamber Musician: A Case Study. In M. Doğantan-Dack (Ed.), The Chamber Musician in the Twenty-First Century. MDPI. https://doi.org/10.3390/books978-3-03897-563-2-6

Lambourn, V. (2005). Interpreting Cenerentola: A musico-dramatic analysis of the title role in Rossini’s La Cenerentola [Unpublished Master’s dissertation]. University of Manchester.

Academic Assistantship Program, The University of Melbourne, 2019, 2020
Macgeorge Bequest, 2020
ANATS National Conference Bursary, 2018